Bullying a Dragon: He needlessly acts like a dick to Butch, a professional boxer, after a very trying day.The Brute: To Marsellus, as the abrasive but quiet Dumb Muscle.Bad Mood as an Excuse: For insulting Butch.In practice, though, he proves himself to not only be a bumbling halfwit, but someone so Too Dumb to Live that he is killed within days of being separated from his much more competent partner. He's an enforcer for a powerful crime boss who treats killing with detached indifference, carries himself with an easy confidence, and always wears a slick-looking suit when on the job. Badass on Paper: At a glance, Vince is a bonafide badass.Backup Twin: When discussing the unmade Vega Brothers sequel, Tarantino considered having Travolta playing Vince's twin or an identical older brother.AM/FM Characterization: A deleted scene has Mia ask him if he's an Elvis man or a Beatles man.Alas, Poor Villain: It can be sad to see him anticlimactically meet his end right after the story that focuses on him.Compared to Jules, he's pretty lousy at his job, utterly genre blind and dumb, a heroin addict suffering constipation (a side effect of heroin), and on top of that he tends to be a big jerk.Īlong with Mia, he's the protagonist of the film's first segment. Vincent has just come home to LA after serving in Amsterdam for about three years. Together with Jules, he's part of Marsellus Wallace's organized crime group. One of the three lead characters in the film, and a Villain Protagonist. "And right now I'm a fucking race-car, alright, and you got me in the red." Vitriolic Best Buds: You only need one line to understand it:.crime lord who has them mercilessly execute his partners in a business transaction in the opening. Villain Protagonist: They're two hitmen working for an L.A. Their bond is further shown in their later interactions, with Jules making sure to preface his frustrations with Vince's carelessness by emphasizing that he respects him, and Vincent seeming genuinely upset when Jules tells him that he is planning on leaving the criminal life behind and ending their partnership. Villainous Friendship: While the two's relationship is rooted in them being hitmen for the same crime boss, they seem to generally get along pretty well, and talk casually with each other about inane and personal topics when out on the job.Jules is the Pepper, being a very hammy but also highly competent black guy. Salt and Pepper: Vincent is the Salt, being the laid-back but incompetent white guy.Due to Vincent's incompetence, Jules is able to pull off the Hypercompetent Sidekick, No-Nonsense Nemesis paper much better. Vincent's cool demeanor is the direct result of a drug habit, and thus he is actually less competent and collected than the more emotional Jules. Red Oni, Blue Oni: Jules is the hammy, religious red oni to Vincent's apathetic, stone-faced blue oni.The Men in Black: Jules and Vince dress in matching plain black suits for their visit to Brett's apartment, giving them a uniform and intimidating effect as representatives of Wallace.Jules is also prone to quoting the Bible, making him seem more eloquent (at least, if you're not aware that his passage is actually taken from a martial arts movie). As Villain Protagonists, they're rather likable, but also capable killers (at least Jules anyway. As they get their guns ready and prepare to do a hit, they have rambling, Seinfeldian Conversations (including an infamous one about the social meaning of foot massages, though that one has plot relevance given that Vincent was being hired to watch over Mia Wallace, their boss's wife, who's the subject of the foot-massage talk).
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |